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■56926 / inTopicNo.1)  VOsQSyuimcjm
  
□投稿者/ Alexa mail -(2014/08/26(Tue) 18:33:24) [ID:Tngpt9FW]
http://www.cetim.com/sloth-bear-predators/
    Do you play any instruments? http://www.fiendishsudoku.com/wild-panda-casino-slot-game-free/ wild panda casino ipa  But despite the group’s fervent and subtle rendition of the older pieces, it was MacMillan’s music that spoke most directly. His pieces glowed with a similar controlled fervency to Palestrina’s, and expressed a similar fundamental humility. But there was just enough surprise and tension to register on contemporary hearts and minds. The subtle rise and fall of tension in his Miserere was a marvel, and so much more moving than Allegri’s static and repetitive setting. The most affecting piece was his Videns Dominus, a setting of the story of the Raising of Lazarus. The subtly paced repetitions and the trembling, oriental-sounding lines evoked a shiver of something miraculous, and harked back to a form of church music older even than Palestrina.
     

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